sheet: 1264 by 913 mm 49¾ by 36 in. framed: 1400 by 1055 mm 55⅛ by 41½ in (120.7 x 57.8 x 29.8 cm.) Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. Lynda Benglis, Van Abbemuseum, Eindhoven; travelled to: Irish Museum of Modern Art, Dublin; Museum le Consortium, Dijon Lynda Benglis: New Work, Cheim & Read, New York NY . Lynda Benglis was born in Lake Charles, Louisiana, in 1941 and graduated from Newcomb College with a BFA in 1964. In Blatt and other similar works from 1969, she extended Jackson Pollock’s famed drip technique into three dimensions, spilling liquid rubber directly onto the floor. Rejecting vertical orientation—as well as canvas, stretcher, and brush—the "pours" push conventions of easel painting to the point of near collapse. Lynda Benglis is an American sculptor and visual artist known especially for her wax paintings and poured latex sculptures. Katy Siegel, ed., High Times Hard Times: New York Painting 1967–75 (New York: Independent Curators International, 2006), 131. See more ideas about artist, art, contemporary art. 1941, Lake Charles, Louisiana) is recognised for an oeuvre that has consistently challenged art-historical and technical conventions while treading new and experimental ground. Lynda Benglis (born October 25, 1941) is an American sculptor and visual artist known especially for her wax paintings and poured latex sculptures. For access to motion picture film stills please contact the Film Study Center. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. Currently she lives and works between New York, Santa Fe, Greece, and India. Lynda Benglis (b. b.1941. Moving away from using canvass, she created works of art directly on the floor, as seen through Fallen Painting. Eridanus, titled after a river in Greek mythology, is part of a sculpture series that Benglis began in 1972. As a public health precaution due to COVID-19, all Smithsonian museums are closed temporarily. estimate: $700–900. See more ideas about process art, art, sculpture art. Lynda Benglis (born 1941, Lake Charles, Louisiana) was first recognized in the late sixties with her poured latex and foam works. Lynda Benglis is an American artist best known for her use of poured sculptural forms made from wax, latex, metal, and foam. That cosmetic finish—all spangle and flash—recalls the decorative arts, and mars pure abstraction with jarring materials that connote the lowbrow and the feminine. By visiting our website or transacting with us, you agree to this. Benglis was born in Lake Charles, Louisiana on October 25, 1941. Lynda Benglis (born October 25, 1941) is an American sculptor and visual artist known especially for her wax paintings and poured latex sculptures. An abstract lithograph with gold leaf on black hand tinted paper by Lynda Benglis. Benglis invented a new format with her celebrated “pours,” which resembled paintings but came off the wall to occupy the space of sculpture. View Lynda Benglis’s 345 artworks on artnet. Lynda Benglis was born in Lake Charles, Louisiana in 1941. Information from Wikipedia, made available under the, Artist, Photographer, Sculptor, Video Artist, Information from Getty’s Union List of Artist Names ® (ULAN), made available under the, Creative Commons Attribution-ShareAlike License. Feb 19–Apr 3, 1977 Whitney Biennial 1973. More provocative still were the racy self-portraits she staged in the early 1970s: advertisements and gallery announcements in which she posed like a pinup or porn star. Provenance: Landfall Press, Chicago | James W. Hyams Collection Feb 11, 2015 - Explore Tira Walsh's board "Lynda Benglis", followed by 564 people on Pinterest. Both 16 x 20 in. "Interview: Lynda Benglis," Ocular 4:2 (Summer 1979): 32. We use cookies on this website to make your experience better. First recognized in the late 1960s for her poured latex and foam works, Benglis created work that was a perfectly timed retort to the male-dominated fusion of painting and sculpture with the advent of Process Art and Minimalism. Washington, DC—In the late 1960s, American artist Lynda Benglis (b. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected]. 1941) Lagniappe II signed, numbered and dated 'BENGLIS 1979 12/16' (on the reverse) cast pigmented paper, acrylic, gold leaf and polypropylene 47 ½ x 22 ¾ x 11 ¾ in. The Aspen Art Museum is a non-collecting institution presenting the newest, most important evolutions in international contemporary art. Asked to summarize her artistic ambitions in the 1960s, Lynda Benglis replied, “I wasn’t breaking away from painting but trying to redefine what it was.”1 She was raised in Louisiana and moved to New York in 1964, where she trained as a painter in the Abstract Expressionist vein. View Lynda Benglis’s 345 artworks on artnet. Send us the details and your net price and we will match it to our database of collectors. If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations). Performance can be through the media or live and the artist performing can either be present or not. For this project, Benglis smeared paint across the gallery floor, while infusing the feminist conversation into the art, with the work depicting the depravity of the fallen woman. Lynda Benglis (born October 25, 1941) is an American sculptor and visual artist known especially for her wax paintings and poured latex sculptures. The research for this text was supported by a generous grant from The Modern Women's Fund. Lynda Benglis (b. Monotype printed in colors, 1987, signed in pencil and dated on the recto, inscribed '#5' in ink on the verso, on buff wove paper, published by Landfall Press Inc., Chicago, and with their inkstamp on the verso, framed. 2008 Lynda Benglis As Printmaker: A 30-Year Retrospective of Editions and Monotypes, Carl Solway Gallery, Cincinnati OH Shape Shifters, Locks Gallery, Philadelphia PA . Since then, Benglis’s endless innovation has made her a critical figure who has bridged and influenced several generations of artists. Benglis’s interest in gendered stereotypes extends to her pioneering videos. Art Size: 31 1/4 x 24 in. Discover and source artworks by influential and collectable artists. Lynda Benglis. Description: LYNDA BENGLIS (b. By visiting our website or transacting with us, you agree to this. Benglis (b. in 1941, Lake Charles, Louisiana) was the first artist to make sculptures out of paint, removing the barrier between traditional painting and sculpting. 1979, lithograph in colors. Lynda Benglis made several video pieces in the 1970s, when she was working at the University of Rochester and could use the school's equipment. LYNDA BENGLIS: EARLY WORK 1967–1979 October 8–December 3, 2020. The Windy City Series #5. This work is number 79 from the edition of 100 published by Landfall Press, Chicago. America Is Hard to See. More information is also available about the film collection and the Circulating Film and Video Library. Landmarks, the public art program of The University of Texas at Austin, exhibited Now (1973) and archived an essay dedicated to Benglis and her work on their website. Benglis’ early sculptures were unique in their use of organic imagery, first with the use of beeswax, and later on polyurethane, gold leaf and zinc aluminum. Executed in 1979. All public programs are online only, on-site public tours and events are currently suspended. Although Benglis is best known as a sculptor, she has made over 60 original prints and monotypes. The lozenges, of medium size, are elegant shapes, with rounded top and bottom edges. View our Privacy policy And our Terms of Service. In the late 1960’s the American Art World was as male dominated discourse. Original artworks, prints, exhibition posters, monographs, books, collectibles. Our site uses technology that is not supported by your browser, so it may not work correctly. 2007 Using brightly colored polyurethane foam and incorporating wide-ranging influences, such as Abstract Expressionism , Process Art , Minimalism, Feminist art , geological forms, and ceremonial totems, Benglis developed her instantly recognizable sculptural language of undulating, oozing biomorphic forms. She is Greek-American. Send us the details and your net price and we will match it to our database of collectors. Jan 22–Apr 19, 2009 Whitney Biennial 1981. She maintains residences in New York City, Santa Fe, New Mexico, Kastellorizo, Greece, and Ahmedabad, India. Lynda Benglis is an American artist best known for her use of poured sculptural forms made from wax, latex, metal, and foam. The American sculptor and visual artist Lynda Benglis set out to challenge this status quo by creating works of art that were feminine, sensuous and body-centric. Biography. Works like Female Sensibility and Now (1973) play freely with arousal and submission, and questioned the role of the woman artist at the height of the feminist movement. Robert Pincus-Witten, “Lynda Benglis: The Frozen Gesture,” Artforum 8:3 (November 1974): 54-59. If you are looking for a particular piece by Lynda Benglis, tell us what it is and we will match it to our database of sellers. These “sexual mockeries,” as Benglis called them, satirized “the art-star system, and the way artists use themselves, their persona, to sell the work.”4, Introduction by Taylor Walsh, Curatorial Assistant, Department of Drawings and Prints, 2016. She maintains residences in New York City, Santa Fe, New Mexico, Kastellorizo, Greece, and Ahmedabad, India. Alongside peers like Eva Hesse, Alan Saret, and Richard Serra, she allowed the process of making to dictate the shape of her finished works, wielding pliant matter that “can and will take its own form.”2. By continuing to browse you agree to our use of cookies. Another viscous material is tested in Benglis’s wax reliefs of the late 1960s. Bibliography: Lynda Benglis and Richard Marshall, Linda Benglis (NY: Cheim & Reid, 2004); Anna C. Chave, Lynda Benglis: Everything Flows: 1980-2013 (Philadelphia: Locks Gallery, 2013); Martin Friedman, Up Against the Wall with Lynda Benglis ((Art in America, Dec. 2009, pp. Since then, Benglis's endless innovation has made her a critical figure who has bridged and influenced several generations of artists. This record is a work in progress. Lynda Benglis, Tu-Lip, 1967, Purified and pigmented beeswax, damar resin, and gesso on masonite and wood, 30 1/8 x 5 1/4 x 1 3/4 inches. It may be scripted or unscripted, random or orchestrated carefully; spontaneous or may carefully be planned without the participation of the audience. Please. Lynda Benglis (born October 25, 1941) is an American sculptor and visual artist known especially for her wax paintings and poured latex sculptures. 1941, Lake Charles, LA) lives and works in New York, NY; Santa Fe, NM; Kastellorizo, Greece; and Ahmedabad, India. Currently she lives and works between New York, Santa Fe, Greece, and India. Original Signed Artworks & Limited Edition Prints For Sale, United States / female artist / Feminist art / Minimalism / Process Art / Abstract expressionism / Postminimalism / Performance art. Performance presented within the context of fine art that is traditionally interdisciplinary. 22½ h × 30 w in. Benglis’s work created a perfectly timed retort to the male dominated fusion of painting and sculpture with the advent of Process Art and Minimalism. Sep 11, 2014 - The mission of the Brodsky Center is to provide the opportunity for artists who are contributing new narratives to the American cultural mainstream to create new work in print and paper in collaboration with master printers and papermakers. The situation can involve the four basic elements: space, performer's body/his presence through a medium, time and performer-audience relationship. Do you have an artwork by Lynda Benglis that you’re looking to sell? Original Signed Artworks & Limited Edition Prints For Sale. (frame). Driven by an inventive and interrogative approach to both … Lynda Benglis NIGHT SHERBET A, 1968 Pigmented polyurethane foam 5 x 48 x 60 1/2 inches 12.7 x 121.9 x 153.7 centimeters She maintains residences in New York City, Santa Fe, New Mexico, Kastellorizo, Greece, and Ahmedabad, India. Benglis admired the gestural style of that older generation of artists, but quickly began to adapt their methods to more extravagant ends. She maintains residences in New York City, Santa Fe, New Mexico, Kastellorizo, Greece, and Ahmedabad, India. (A photographer for Life magazine once captured Benglis in mid-pour, lunging forward to sling pigmented latex straight from the can.) Frame Size: 36 5/8 x 31 1/4 x 1 7/8 in. Jun 14, 2014 - Explore Debbie Michaels's board "Lynda Benglis" on Pinterest. North South East West Elevation (Study for Sculpture). 1941): GOLDEN ROD ; AND ROCKET Two c-prints with gold leaf, 2002-2003, both signed, titled, dated and numbered 1/3 on the reverse, with label from Vivian Horan Fine Art, NY. This pursuit of what the artist called “the frozen gesture” continues in her fabric knots—silvered coils of cotton bunting wrapped around a wire armature.3 Victor (1974) gleams with metallic paint, and other knots in the series are flecked with glitter and bright acrylic. In the late 1960’s the American Art World was as male dominated discourse. This is the case of Lynda Benglis, an artist who found new methods to create beautiful sculptures and who made a strong statement as a feminist in art history. We use our own and third-party cookies to personalize your experience and the promotions you see. Landmarks, the public art program of The University of Texas at Austin, exhibited Now and archived an essay dedicated to Benglis and her work on their website. David Bourdon, "Fling, Dribble and Drip," Life, February 27, 1970, 62. Motion picture film stills or motion picture footage from films in MoMA’s Film Collection cannot be licensed by MoMA/Scala. All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at [email protected]. Now is the most well-known of these works, and made a significant impact on the field of video art and critical theory. Jan 20–Apr 12, 1981 Whitney Biennial 1977. Biography and art, auction, artworks, interview, statement, website: lynda benglis. Lot 145: Lynda Benglis b.1941. Signed, dated and numbered to lower edge ‘79/100 Lynda Benglis '79’. Artwork constitutes actions of a group or an individual at a particular time and space. In Embryo II (1967), layers of molten beeswax cling to a Masonite board, hardened into ridges and furrows in a spectrum of pastel hues. Lynda Benglis first came to art world attention in the late 1960s with tactile, sensual works that were strikingly different from the period’s prevailing Minimalism. If you would like to reproduce text from a MoMA publication or moma.org, please email [email protected]. View prints by Lynda Benglis on originalprints.com, a worldwide network of dealers specialising in original prints by leading artists. Employing a broad range of materials in acid hues, her best-known works record the behavior of a fluid substance in action. (sheet), 23 1/2 x 27 1/2 in. Do you have an artwork by Lynda Benglis that you’re looking to sell? Whitney Focus presents Lynda Benglis; Exhibitions. 1941) expanded the boundaries traditionally assigned to media and gender with her bold, physical, and tactile works. This work is number 12 from an series of … Our innovative and timely exhibitions, education and public programs, immersive activities, and community happenings actively engage audiences in thought-provoking experiences of art, culture, and society. Yet it cannot be said that the work is entirely inchoate or formless. Blatt's dayglo swirls retain a look of barely arrested motion, their colors gelled into a kind of psychedelic carpet. If you have additional information or spotted an error, please send feedback to [email protected]. Lynda Benglis was born in Lake Charles, Louisiana, in 1941 and graduated from Newcomb College with a BFA in 1964. She currently lives between New York City; Santa Fe; Kastelorizo, Greece; and Ahmedabad, India. Lynda Benglis prints and artworks for sale from leading galleries and print studios. The American sculptor and visual artist Lynda Benglis set out to challenge this status quo by creating works of art that were feminine, sensuous and body-centric. Lynda Benglis moved to New York at the apex of Minimalism in the 1960s. Now is the most well-known of these works, and made a significant impact on the field of video art and critical theory. Lynda Benglis made several video pieces in the 1970s, when she was working at the University of Rochester and could use the school's equipment. To find out more, including which third-party cookies we place and how to manage cookies, see our privacy policy. Ortuzar Projects and Cheim & Read are pleased to present Lynda Benglis: Early Work 1967-1979.Across three spaces in uptown and downtown Manhattan, this major exhibition includes significant work from the artist’s first decade in the city that proved crucial to the development of her practice. A pioneer of a form of abstraction in which each work is the result of materials in action—poured latex and foam, cinched metal, dripped wax—Benglis has created sculptures that eschew minimalist reserve in favor of bold colors, sensual lines, and lyrical references to the human body. Lynda Benglis (b. For licensing motion picture film footage it is advised to apply directly to the copyright holders. I hereby agree to not publicize, forward, or share the details of this private listing unless agreed in advance with kunzt.gallery and the owner of the artwork. May 1–Sept 27, 2015 Synthetic.

401k Retirement Login, Lemongrab Unacceptable Meme, Rosetta Stone Definition, Flower Bowl Cinema Programme, Lee Jun Young Ateez,

Deixe uma resposta

O seu endereço de e-mail não será publicado. Campos obrigatórios são marcados com *